Producing a television program requires the efforts from many talented and skilled individuals.
Have you ever wondered specifically about all the people involved in making up a television crew? The list is longer than you may have thought.
In the second part of my report on "Who Makes up a Television Crew", I will continue to outline the various crew positions which are necessary to create quality television productions.
The audio engineer, also known as the A1, is responsible for mixing all of the various audio sources such as microphones, taped sources and music.
Depending on the size of the production the audio engineer will also have audio assistants.
This job function is known as the A2.
This individual works on the set ensuring the smooth functioning of the audio gear.
The camera operators are the eyes of the production.
They will shoot all of the action on the set while working with the director to create a visual storyline.
The camera signal or image is constantly being monitored by a person who ensures the video levels are not too dark or bright.
The colors must also be monitored for accuracy.
This operator is known as the video operator or shader.
All of the action that takes place on the set needs to be recorded.
This is performed by videotape operators who work inside of the television mobile.
The title, videotape operator, is becoming a bit of a misnomer since many camera feeds are now recorded onto computer hard drives rather than videotape.
A live televised event will have the need for numerous graphics and titles to be used throughout the telecast, especially in the case of a sporting event.
The person creating these graphics is known as the graphics operator.
A stage manager or floor director is the individual responsible for keeping everything running smoothly on the set.
This person will act as a liaison between actors working on the set and the producer and director working in the mobile.
The post-production portion of a television program will also involve numerous individuals.
There are editors, colorists and post-production sound specialists.
Depending on the size of the production budget, post production sound may also utilize foley experts.
A foley designer or artist is someone who recreates sounds in post production to help the soundtrack of the production sound more realistic.
Of course, if there are actors involved in a production then these actors will need to be outfitted with clothes and will have a need for makeup.
Makeup is important for both women and men due to the intensity of the lights on a television set.
Individuals would appear very shiny without the aid of makeup.
Many experts work closely with the actors, preparing them to be in front of the camera.
They include wardrobe, makeup and hair specialists.
Most viewing audience members seldom stop to think about all of the positions that go into the creation of a quality television production.
The next time you're watching a good TV show take a moment to think of all of the individuals that make up a television crew.
This large team of talented people is often overlooked.
Have you ever wondered specifically about all the people involved in making up a television crew? The list is longer than you may have thought.
In the second part of my report on "Who Makes up a Television Crew", I will continue to outline the various crew positions which are necessary to create quality television productions.
The audio engineer, also known as the A1, is responsible for mixing all of the various audio sources such as microphones, taped sources and music.
Depending on the size of the production the audio engineer will also have audio assistants.
This job function is known as the A2.
This individual works on the set ensuring the smooth functioning of the audio gear.
The camera operators are the eyes of the production.
They will shoot all of the action on the set while working with the director to create a visual storyline.
The camera signal or image is constantly being monitored by a person who ensures the video levels are not too dark or bright.
The colors must also be monitored for accuracy.
This operator is known as the video operator or shader.
All of the action that takes place on the set needs to be recorded.
This is performed by videotape operators who work inside of the television mobile.
The title, videotape operator, is becoming a bit of a misnomer since many camera feeds are now recorded onto computer hard drives rather than videotape.
A live televised event will have the need for numerous graphics and titles to be used throughout the telecast, especially in the case of a sporting event.
The person creating these graphics is known as the graphics operator.
A stage manager or floor director is the individual responsible for keeping everything running smoothly on the set.
This person will act as a liaison between actors working on the set and the producer and director working in the mobile.
The post-production portion of a television program will also involve numerous individuals.
There are editors, colorists and post-production sound specialists.
Depending on the size of the production budget, post production sound may also utilize foley experts.
A foley designer or artist is someone who recreates sounds in post production to help the soundtrack of the production sound more realistic.
Of course, if there are actors involved in a production then these actors will need to be outfitted with clothes and will have a need for makeup.
Makeup is important for both women and men due to the intensity of the lights on a television set.
Individuals would appear very shiny without the aid of makeup.
Many experts work closely with the actors, preparing them to be in front of the camera.
They include wardrobe, makeup and hair specialists.
Most viewing audience members seldom stop to think about all of the positions that go into the creation of a quality television production.
The next time you're watching a good TV show take a moment to think of all of the individuals that make up a television crew.
This large team of talented people is often overlooked.
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