After four years of playing Maureen Reardon Bauer on the soap opera, Guiding Light, Ellen Dolan decided she should head to Los Angeles to broaden her acting career.
Here's what happened next: Ellen Dolan: So, I quit and I went out and immediately did the standard 'do two national commercials a year and then do a lot of regional theater.
' Which is what I did.
Until I went to buy dinner one night - which consisted of either a can of cat food for my cats or a little bit of peanut butter for me.
And you had to feed the cats.
And I couldn't call home for money.
So it was like, oh dear.
So I got on my agents, and I said, "get me out there, get me out there.
" And they did.
And I started doing all these pilots and everything.
And testing.
And that's how we ended up thinking I should go to LA.
And that's when I got the call from Doug Marland saying "Would you come back to do Margo?" And I thought...
yeah.
I want to go home.
I want to be in New York.
And I want to do the kinds of parts daytime allows women to do.
Yeah.
And the same thing happened when I quit As the World Turns in '92, I think.
And I went back out to LA thinking I really do have to try this again.
I have to give it a good shot, because I was in my late 30's by then - 36ish? And in Hollywood standards, that's...
Susan Dansby: Over the hill.
Ellen Dolan: That's over the hill.
So I went out there, and I booked a pilot again, right away.
I did all the good, right stuff.
And I was living in a nice place.
And I was working on different stuff.
You know I got to the point where I was doing two episodes on Walker, Texas Ranger.
I was down in Texas and I looked at it all and thought, this isn't as much fun as that character I was doing on daytime.
So when I found out that they were going to recast Margo, I called my agent and I said, I want to go back to New York.
And they said, are you sure? Are you absolutely sure? Because if we call up Vince and jerk him around, it's going to be hell to pay.
And I said, Yeah, I'm sure.
I've just never done a character that's as interesting as Margo.
Here's what happened next: Ellen Dolan: So, I quit and I went out and immediately did the standard 'do two national commercials a year and then do a lot of regional theater.
' Which is what I did.
Until I went to buy dinner one night - which consisted of either a can of cat food for my cats or a little bit of peanut butter for me.
And you had to feed the cats.
And I couldn't call home for money.
So it was like, oh dear.
So I got on my agents, and I said, "get me out there, get me out there.
" And they did.
And I started doing all these pilots and everything.
And testing.
And that's how we ended up thinking I should go to LA.
And that's when I got the call from Doug Marland saying "Would you come back to do Margo?" And I thought...
yeah.
I want to go home.
I want to be in New York.
And I want to do the kinds of parts daytime allows women to do.
Yeah.
And the same thing happened when I quit As the World Turns in '92, I think.
And I went back out to LA thinking I really do have to try this again.
I have to give it a good shot, because I was in my late 30's by then - 36ish? And in Hollywood standards, that's...
Susan Dansby: Over the hill.
Ellen Dolan: That's over the hill.
So I went out there, and I booked a pilot again, right away.
I did all the good, right stuff.
And I was living in a nice place.
And I was working on different stuff.
You know I got to the point where I was doing two episodes on Walker, Texas Ranger.
I was down in Texas and I looked at it all and thought, this isn't as much fun as that character I was doing on daytime.
So when I found out that they were going to recast Margo, I called my agent and I said, I want to go back to New York.
And they said, are you sure? Are you absolutely sure? Because if we call up Vince and jerk him around, it's going to be hell to pay.
And I said, Yeah, I'm sure.
I've just never done a character that's as interesting as Margo.
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